banjo.com
and the Atlanta Braves present:
A Guinness World Record-Setting Event for Banjo Players!
Photos: (click one name) rehearsal, field center, field left, field right, rejoicing
Atlanta
Braves photos: http://www.mlb.com/atl/photogallery/year_2006/month_09/day_16/cf1665944.html
In
spite of the bad weather early on Wednesday, 240 banjo players traveled to
Turner Field in Atlanta to participate in the Tribute to Earl Scruggs event,
hosted by banjo.com and the Atlanta Braves. They stopped by the
registration table to sign in, pick up commemorative T-shirts, and get a ticket
for the door prizes. We moved to the Right Field Patio under a huge tent
for rehearsals and for jam sessions. The Cedar Hill bluegrass band began
performing at the Fan Plaza area, greeting baseball fans as they entered the
park. By early afternoon the skies had cleared, paving the way for magical
evening.
Around 5:30, while we rehearsed, Earl Scruggs and his son Gary, along with
friends, arrived in a beautifully apportioned tour bus, provided by
the Gibson Musical Instrument Company. We cheered for Mr. Scruggs as he
entered the stadium on a Braves' golf cart, and he acknowledged us with a big smile
and a wave. He's a humble man; I don't think he was expecting such a
warm welcome from so large a crowd! While he made his way to a private
suite provided by the Atlanta Braves, we continued to rehearse in small groups,
change strings, hunt for Finger-Ease, tune and retune, and just visit with each
other. Players came from all over. One traveled all the way from Japan!
Around 6:45 we walked down the Hank Aaron tunnel and got in position to take the
field. We had a challenge in keeping our instruments quiet while the
Braves' staff shouted directions. They had to shout because there were so
many of us, spread out so far. When we walked out onto the field, I was
overwhelmed by the sheer numbers, a virtual sea of banjo players. We split
into two groups, one on each side of home plate.
Within minutes, the Braves' announcer began talking about Earl Scruggs and his
contribution to bluegrass music, and then showed a 2-minute video of his life on
the giant Braves' scoreboard, provided by the Country Music Hall of Fame and
Museum. About mid-way through the video, a camera zoomed in on Mr.
Scruggs at his seat, and nearly the entire stadium erupted in
applause, delighted to know that he was there in attendance. Mr.
Scruggs smiled and waved, taking it all in gratefully.
The Cedar Hill band was the core group to kick off Foggy Mountain
Breakdown, providing a bass beat. Charles R. Jackson, band
director at Dodgen Middle School in Marietta, conducted. The
scoreboard started the clock at 5 minutes, and the announcer would interject on each
minute, "only 4 minutes to go to set a world record!" and so on.
By Guinness rules, we're not allowed to improvise, but to liven up the song for
the crowd, breaks were played by Jim Adkins, Elizabeth Long and Greg Earnest.
When the clock ran out and we'd passed the 5-minute mark, we hit the last note
and shouted with joy. Many were shouting, "Earl! Earl!
Earl!" What an honor it was to perform for a huge audience at
Turner Field, in front of Earl Scruggs!
Afterwards, we distributed personalized certificates of participation to
attendees, and handed out door prizes from string sets to banjos. The
Braves' staff thanked all of us for making it a magical night at Turner Field.
We owe a special thanks to the Jim Adkins and Brad Laird for generating the idea
for this event, to Jim for his tireless efforts at organizing the event down to
the smallest detail, to the Atlanta Braves staff for their amazing hospitality,
to Alan Stoker at the Country Music Hall of Fame and Museum, and to Earl Scruggs
and his son Gary for traveling from Nashville to attend the event.
Door prizes were awarded to a few fortunate attendees. Thanks to our suppliers, listed in alphabetical order:
Atlanta Braves (program guides signed by Earl Scruggs)
banjo.com (various items)
Buckle Gard (belt buckle cover)
Deering (Goodtime 2 with gig bag)
GHS (36 string sets)
Gibson (Epiphone MB-250, the head signed by the Atlanta Braves)
Gold Tone (Cripple Creek Traveler with heavily-padded gig bag)
Johnson (JB-200)
Morgan Monroe (MNB-1)
Saga (Gold Star GF-100 Flying Eagle)
Washburn (hard-shell banjo case)
Three video cameras followed us around, coordinated by Joe Leonard of VidSouth. He is now compiling and editing the footage into a 45-minute presentation, with music background. Once it's complete, we'll make it available at our cost (hopefully around $5.00). We'll submit this to our friends at Guinness, along with the required documentation.
Thanks to all for attending, and we wish you all the best!
John & Amy Drummond
Barry Collins
Meg Colclasure
Guinness World Records Information
Guinness
has categorized this event as a “Largest Musical Instrument Ensemble”.
Their guidelines state:
This record is for an ensemble consisting of the most players of one
particular instrument, properly conducted under concert conditions. (Free or
open-air recitals are acceptable.)
1.
All members of
the ensemble should be proficient musicians and they must be directed by someone
who signals the beginning and end of the attempt.
2.
A formal
registration process should take place. The number of musicians is confirmed by
individuals signing their own names once only on a form witnessed by two
independent persons. No ‘ditto’ marks accepted.
3.
As full a recital
as possible should be given to be directly comparable with the original record
but, if this is not practicable, a recognized orchestral piece of music lasting
at least five minutes should be performed, with all musicians played at some
stage during the recital.
4.
If a
non-classical piece is to be played, it should be re-scored for the performance.
If a choir is used, the number of members should be given, but this will
not count toward the record.
5.
Improvisation is
not permitted.
6.
The name of the
organization, company or person(s) organizing
the attempt should be given along with the date and place.